October 5, 2020

yale writing center handouts research

Discuss your writing with an experienced, professional tutor in your college. HIST 139J: The American South Since Reconstruction, Professor Glenda Gilmore. Negative Message Framing on Intended Alcohol Use,” by Sarah Stein ’19. Begin writing before you’re ready to write a draft. AMST 207: American Cultural Landscapes, Professor Dolores Hayden, Teaching Fellow Liz Bondaryk. “Cloning of the Yellow Stripe 1 gene and of the promoter of a Tapetal Development and Function gene in Oryza sativa japonica,” by Sabrina Gill ’13. Presenting to you 'The Hawker,' a bimonthly newsletter by the Writers' Centre. Introductions - Models and describes the component parts of a strong introductory paragraph. “My Secret,” by Lydia Martin ’12. The Writing Center is continuing to operate remotely. 2014 Winners A quiet space to write in the company of other writers, with Writing Partners on hand to answer questions and snacks to fuel your work. Always add commentary to ensure that we know which parts of the evidence are most important and how it fits into your larger argument. While the Research & Writing Center handouts introduce and reinforce helpful principles and strategies, learners should always tailor their work to their specific audience and assignment.∼ Continue Reading ∼ A thesis should not be confused with a topic, which represents only the subject area of an essay. Consultations, Observations, and Services, Strategic Resources & Digital Publications, Teaching Consultations and Classroom Observations, Written and Oral Communication Workshops and Panels, GWL Consultations on Written and Oral Communication, About Teaching Development for Graduate and Professional School Students, Occupy Wall Street: Creating a Successful Movement from a Chaotic Structure, The Limits of Moral Ideology in Foreign HIV/AIDS Intervention, Treat the Problem, Not the Disease: The Necessary Shift from Vertical Programs to Horizontal Programs for Treating HIV/AIDS in sub-Saharan Africa, The Moral Meaning of a Pause’: Ethics Committees and the Cloning Debate, The Camera as Dictator: Photography and Fascism at Abu Ghraib, Israel’s Withdrawal from Gaza: Legitimizing Civil Disobedience from Both Sides, Obscuring Gender into Oneness: in Canto 21 of ‘Song of Myself, License to Build: Readership and Authorship in Pynchon and Melville, ‘A Pattern of Your Love’: Sainthood as Erotic Example in ‘The Canonization’ and ‘The Relic, How Mary Hillhouse Read Her Gray: Commonplacing the Elegy, 1768 – 1816, The Governess Question: Modes of social engagement in Agnes Grey and Jane Eyre, Within You, Without You: Cannibalism and Consciousness in the Transatlantic World, Holiest Love: The Spiritual Valediction in ‘A Hymne to Christ, Harmony of the Flesh: The Primitivist Poetry of Disgrace, Creation, Destruction, and Stasis in Three Poems by Shelley, From Ass to Audience: Imagination as an Act of Translation, The Convergence of American Identity and Experience: Walt Whitman’s Concept of Democracy in ‘Song of Myself’, When Hell Freezes Over: Dante as Pilgrim and Poet in Inferno XXXII, Both Soles of Every Sinner Were On Fire’: Contrapasso in Canto XI, Knocking Down the Puppet Show: Dangerous Readers in Cervantes’, Sanity’s Dream: Reason and Madness, Modernity and Antiquity in, The Preserved Party: A Metonymical Still Life, A-Foot and Under-Foot: Peripheries and the Footnote, Formulating Maxims to Test Their Morality: Sources of Ambiguity in Kant's Moral Philosophy, Charlotte’s Finite Web: Causality in Aristotle’s Metaphysics, A Reconstruction and Critique of the Refutation of Idealism, The Cost of Duty-Free and Duty: John Stuart Mill’s Failed Critique of Immanuel Kant, and Further Critiques of Both Philosophers, Telling a Lie to Save a Life: Kant’s Moral Failure and Mill’s Mere Suitability, Remembering the Treehouse: The Magic Between the Lines, Laura Lee, Ink on Skin, Personal Collection of the Artist, Waking Up the Warriors: The Rise of Cancer Immunotherapy, “A Security Debriefing with R. Rosarbo on the Subject of Wilbur Cross High School, Vignettes From a Carpetbagger: Four Parables of the Katrina Era, Privatization as Violence: Iraqi Oil and a Contractor Army, Selling Dentifrice from New Delhi: Chester Bowles in India, 1951-53, Silent Protection and the Burden of Silence, Modern Blood Libels and the Masking of Egyptian Insecurities, The Progressives’ Attempts to Link America’s Rural Past and Modern Future, Lollard Bible Translation: Severing the Connection Between Language and Intellectual Privilege, The Samuel and Mary Attempted Piracy Outside the Port of Cephalonia: A Case Study of Piracy Law as a Transitional Factor Away from Lex Mercatoria, Entrepreneur, Democrat, Patriot: Sameness and Difference in Charles Willson Peale’s Philadelphia Museum, The Impossibility of P. Grad.

Printed copies of each handout are available in the Writing Center at 301 York St, mezzanine level. 4 in the Thebaid and Implications for Ptolemaic Rule, Following Thread: Understanding History and Materiality in Frida Kahlo’s Clothes, The Tories of 1812’: Decoding the Language of Political Insults in the Early Republic, Big Trouble in the Big Easy: The Battle of Canal Street and the Independence of Black Political Power, Thomas Clap, Ezra Stiles, and Yale's First Revolution, The Trolley Problem: The Demise of the Streetcar in New Haven, In the Fold of America’: Immigration Politics in the Alien and Sedition Era, Managing History: The Federalist Attempt To Shape the Hartford Convention’s Legacy, Hearts of Darkness: Opium Dens and Urban Exploration in Late Victorian London, Mr. Madison Meets His Party: The Appointment of a Judge and The Education of a President, Stages of Modernity: The Thaw-Nesbit-White Scandal, the New York Press and the Drama of the Century, Dissidence in China and Eastern Europe and the Search for a New Pragmatism, Dancing with Knives: Voguing and Black Vernacular Dance, Having Her Pie and Eating It Too: Sara Bareilles’ Representation of Women through the Convergence of Singer-Songwriter, Stage Character, and Composer in, “City of Elms: The Myth of the Urban Pastoral, Avoiding the sublime: Photography and the ongoing legacy of nuclear technology, Public health in the age of nuclear fallout: St. Louis and the Baby Tooth Survey 1958-1963, From Sanctuary to Cemetery: The Fate of Astoria and the Italian Immigrant Community, That’s What It Is’: Musical Potential and Stylistic Contrast in Act One, Scene One of The Most Happy Fella, An Unattainable Salvation: Dirt, Danger & Domesticity in Old New York, Pruitt-Igoe: Utopic Expectations Meet Tenement-Infused Realities, The Numerous Faces of South Korea’s Burgeoning Medical Tourism Industry, The Prisoner Dis-Analogy as a Defense of Stem Cell Research on Spare Embryos, Regarding the Body: The Spectacle of Dissection and Its Uses in the 18th Century, Ignoring the Call to Murder: The Evolution of Surrealist French Cinema, Feel Like a Natural Human: The Polis by Nature, and Human Nature in Aristotle’s, Federal Funding for Embryonic Stem Cell Research, A Tale of Two States: Takeaways from Massachusetts and Louisiana in the Quest for a New Federal Education Policy, Fools & Self-Representation: A Defense of Faretta v. California, Reconsidering Broken Windows: A Critique of Moral and Pragmatic Justifications, Pressured Justice: Activating the Courts for the Protection of Female Laborer, Fixing Poverty: What Government Can and Cannot Do To Make America Better, Suffering and Redemption in the Eyes of Lincoln, The Presentation of Disability in Everyday Life, Across the Islands: Lexical and Phonetic Variation in Hawai‘ian Dialects, A Diachronic Perspective on Semantic Maps, Preserving Values in a Market for Kidneys, Unweaving the ‘Development Narrative’: Bt Cotton and Farmer Suicides in India, Imagined Identities: The Tibetan Government-in-exile and the Western Vision of Tibet, Congratulations, It’s a Social Construct: Production and Reproduction of (Trans) Gendered Bodies, Chronicles of My Life: A Minority Reading of the Dominant Narrative, Sex-Based Effects of Positive vs. HSHM 431: Science/Spectacle in Enlightenment, Professor Paola Bertucci.

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