writing about architecture alexandra lange dissertation

Please improve this by adding secondary or tertiary sources. That's a rule many architects break over and over again. Why haven't we had, over the past five years, any number of #DayDetroits for architecture, where a collective of architects point out the irreplaceable built assets that are also disappearing? These images can be critical in a different way - fleeter, funnier, like popcorn - from the endangered building review. Curriculum Vitae. With less than two weeks left to vote for your favourite ... With less than two weeks left to vote in the Dezeen Awards ... With two weeks left to vote, see the interiors projects ... With two weeks left to vote, see who's ahead in the Dezeen ... Vote for your favourite projects and studios in the Dezeen ... Dezeen Awards 2020 studio shortlist revealed, Dezeen Awards 2020 design shortlist revealed, Dezeen Awards 2020 interiors shortlist announced, Visit our comments page | Read our comments policy, "It's easy to make fun of Bjarke Ingels on Instagram", Instagram of architectural photographer Iwan Baan, Eero Saarinen and Alexander Girard's Miller House, the Museum of Modern Art’s plans to demolish Tod Williams and Billie Tsien’s 12-year-old Museum of American Folk Art, Christopher Knight wrote in the Los Angeles Times, American Institute of Architects would award its first Gold Medal to a woman to Julia Morgan, Architect Magazine created a reaction story to its own story by Storifying a discussion between several architecture critics, Writing About Architecture: Mastering the Language of Buildings and Cities, The Dot-Com City: Silicon Valley Urbanism. Writing About Architecture: Mastering the Language of Buildings and Cities, the latest addition to the Architecture Briefs series, is a handbook on how to write effectively and critically about the contemporary city. She received her PhD from the Institute of Fine Arts at New York University and has contributed essays and articles to peer-reviewed publications such as the Journal of Design History and the Journal of the Society of Architectural … You can geolocate your project. Don't farm it out to your communications staff. Why not take us there? The heroic and the ordinary combine in this extra work, and will ultimately contribute to the way we look at the official pictures too. Making such a house, and maintaining such a house, well documented. We see the faces of people, the buildings imperfectly lit or weathered. The diversity of purpose, the cloud of connections that work so well on Twitter is all wrong on Tumblr. But there's something so static, so precious about this presentation. You can collate your campus work. Happy happy happy. Her 2005 dissertation, “Tower Typewriter and Trademark: Architects, Designers and the Corporate Utopia, 1956-1964,” discussed the design programs and design networks at postwar American corporations. I’ve started Instagramming my visits to exhibitions and buildings, as a way of sharing the first cut, taking visual notes, and focusing on details and moments that didn't make the press packet. Me me me. But social media can do more for architecture than showcase pretty faces and soundbites. It would be even better if the architects were right there beside him, taking pictures of what else they see. With a particular designer? It shouldn’t just be critics in on that discussion. We get enough better-than-reality images of buildings on sites like Dezeen. Selfie, LEGO selfie, girlfriend (I hope), Gaga, monograph, fog, fox socks. It isn't just stolen moments that social media can capture. How else could Fuck Yeah Brutalism have 100,000 followers? If architects don't speak for the quality, importance and ubiquity of buildings, who will? She is a Loeb Fellow at Harvard's Graduate School of Design for academic year 2013-2014 and is the author of Writing …
But it also got me thinking: It's not only Detroit's art assets that are being dispersed and destroyed, it's the architecture too. Don't leave it to the critics. Who knew that many people liked Brutalism? Those young artists and architects helped him stay young and current, he helped them by offering literal or metaphorical institutional support. In doing so architects contribute to a broader dialogue about what makes a good experience. Isn't that how these platforms work too? Moments of conflict? We will never give your details to anyone else without your consent. Why not share images of favourite or inspirational details? I'd be surprised if one social media platform or another weren't part of most designers' daily practice (at least those under 50). He understood, better than most, that interest is created by association. That balance, between the high and the low, the specific and the general, the obvious and the obscure makes life, not to mention design, much more interesting. Philip Johnson would have been really good at social media. Dezeen Daily is sent every day and contains all the latest stories from Dezeen. Who but an architect would document those? Or pop culture mavens? As an example, consider Philip Johnson, perhaps the most networked architect of his day. Surely you don’t want to be boring? (June 2019) ( Learn how and when to remove this template message) Alexandra Lange is an architecture and design critic and author based in New York. As a side benefit, here's a handy way to mobilise the opposition the next time someone talks about tearing down, say, Government Center. That's boring. Alexandra Lange is a New York-based architecture and design critic. You will shortly receive a welcome email so please check your inbox. The hashtag #FolkMoMA collected visual and verbal salvos against the Museum of Modern Art’s plans to demolish Tod Williams and Billie Tsien’s 12-year-old Museum of American Folk Art. What do architects think of her work? For more details, please see our privacy notice. Graduate students start Tumblrs for their dissertation research, creating a daily log of their best discoveries. Trails of breadcrumbs like this are catnip for critics then and now. And seeing others' projects gives me new ideas. Architects sometimes forget what other people don’t know – or forget to share the positive assets of the past before, during and after they are threatened. You architects could be doing this every day.

Even earlier, in the September 1950 issue of Architectural Review, Johnson set out the inspirations – possibly decoys – for that same Glass House. As Christopher Knight wrote in the Los Angeles Times: "The premise is simple and elegant: Use the Internet to a) spread the word to a diverse, international art audience about what could be lost if any sale goes forward; b) suggest that readers expand the process by posting their own links and images to social media sites such as Twitter and Instagram; and c) generate support for the Detroit Institute of Arts by asking readers to click through and buy a museum membership (an individual membership starts at $65).". She is a contributing editor at New York Magazine and writes articles about architecture, design and urban planning for Metropolis, Domino and The New York Times.
There's an unofficial rule of thumb that you should only tweet about yourself 30 percent of the time. You can unsubscribe at any time by clicking on the unsubscribe link at the bottom of every email, or by emailing us at privacy@dezeen.com. An ingredient of whatever kind? But more importantly, Twitter has proved itself valuable as a place of protest. Designers of a certain age might think about doing something similar with their own files, again starting the wheels of interpretation and reflection. This article relies too much on references to primary sources. Opinion: in her first column for Dezeen, critic Alexandra Lange argues that architects are misusing platforms like Twitter and Tumblr. A project-specific Tumblr could allow an architect to show a wider audience that they recognise that legacy. Client and community engagement doesn't need to be limited to a specific forum. His Instagram reveals that he has seen more contemporary architecture (and more of it from helicopters) than anyone.

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