travel writing genre essay

CHURCH OUR LADY OF TYN (Touching the World, 24). So it is, that the act of leaving for England, which requires the ‘corruption’ of local culture, also produces the unsettling image of a shrunken and comically reduced self. The thing is, I am not a simple man. (1940: 283) Landmarks of Romantic travel and travel writing would be Arthur Young’s Travels in France (1792), William G. Browne’s Travels in Africa, Egypt and Syria, from the Year 1792 to 1798 (1799), John Franklin’s A Narrative of a Journey to the Shores of the Polar Sea, in the Years 1819, 1820, 1821, 1822 and 1823, Mungo Park’s Travels in the Interior Districts of Africa (1799), or Matthew G. Lewis’s Journal of a West India Proprietor (1834). [17], According to a number of theorists, autobiography does not lend itself well to a generic approach. I lied on the beach thinking of all the things I was going to do the following day like windsurfing and scuba diving. In front of me was Asian group talking, with their ever shrinking cameras hanging, The man kept on asking similar kind of questions to my parents and then ten minutes later, they were free to go. ` In Kindred, Octavia Butler combines elements of science fiction and historical fiction to create a new genre.

It is distinguished from an autobiography and memoir by being partially fiction, in which names, locations are changed and events are dramatically and thematically rewritten with close resemblance to that of the subject’s personal experiences. What, then, is the basis for this perception of England? Biography, autobiography, and memoir are all non-fictional literature. 723 Words3 Pages. Linda Hutcheon notes the dangers of a specialized discourse in which the "in-groups" deliberately create a "problematic of meaning" between those who "get it" and "those who do not." At present, travel writing becomes an apparent style of writing to the extent that bookstores designate shelves for travel writing as is the case with fiction, biography, religion, business, and magazines.

The British readers were demanding books on a larger variety of subjects, while the exploits of adventurous spirits like Byron contributed to this demand. This means that the author’s honest intention assures the truth and seriousness of the writing and that the author is trustworthy: "autobiographies are seen as providing proof of the validity and importance of a certain conception of authorship: authors who have authority over their own texts and whose writings can be read as forms of direct access to themselves" (Anderson 3). In a review to one of Gertrude Bell’s travel writings, The Arabian Diaries, 1913-1914, Lawrence Davidson has the following to say: "Among the Europeans there was a small group of people who sublimated their dissatisfaction with the Victorian culture of the time into an exploration of those territories and peoples that were the subject of the West’s imperial expansion.

Hence the supposedly emancipatory discourse of the Enlightenment, which would lead to clarity of vision and genuine "rational" understanding of the self and the world, rather "contains" Naipaul within a myopic vision of the world. Whatever the definition we decide to take for granted, there are two terms in the phrase travel writing which... . In some of his writings we can notice that he is discerningly identical with the protagonist, inextricably portraying private and/or public events of his family life. Along these lines, it can be easily misunderstood that travel writing do not have any uniqueness. Last but not least, according to O’Brien – in the Introduction to Gertrude Bell’s The Desert and the Sown, travelogues "… describe a journey in which the traveller passes through towns and villages, jungles and rivers – or desert tents and palaces – and communicates with the inhabitants who are contemplated from a certain perspective." Linda Anderson approaches the genre in a more conciliatory way when she says that, "Autobiography has been at the centre of the debates, which, drawing on mainly French theories of psychoanalysis, poststructuralism and feminism, have interrogated the self-evident nature of the subject and knowledge. The airport was at least ten miles away from any town and more than fifty miles away from the sea.

Courtship-Romance, as classic American stories. "... describe early life without participating the future, and can, in principle, evoke the child’s experience with complete freshness in itself, without reference to what he is to become" (Roy 136). The end product is not exactly a touristic guide book: in the introduction to this photographic impression of the great city, Naipaul finds artist’s motivation and method, which combines the minute attention for the detail with an insider’s view on the city called "the gateway to India." Here is Naipaul’s comment: "One can’t just look at this work about Bombay and say: ‘Good, I have looked at these pictures.’ They need attention.

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