description of a living room creative writing article

Describe the property accurately. A big ask, right? First, you should know that it's all right to use brand names in stories. They will notice the unusual -- rushes that haven't been changed for a while, or for that matter, rushes that have been changed often and smell sweet. Also, it's worth noting that there are many published writers who rhapsodize on everything from history to their characters' politics for long passages without being lyrical about it. They fall in love with their setting and can't help tell the readers about it. Then describe it as a part of a scene full of tension, such as an argument, or during the love scene.

You should probably avoid stopping the flow of your story to tell your readers all about how nice the hero's castle is or how important the rain forest is. The stronger the writing, the better the description. I made my words work for me. don't waste my time (or anyone's) with such chestnuts.

All rights reserved. These elaborate nature decorations are part of a long tradition stretching back to ancient civilization, but if you learn just two words to describe them, they should be floral and foliate .
Good description is more like the teacher who got students involved by using anecdotes and making the class interactive. But writing a compelling listing can be easier than you think. For example, don't fall back on the old cliches about the color of your characters' eyes -- invent new phrases that are so powerful they become cliches in the future! This can impede the flow of the narrative. However, if you think it might work for you, try it out. You can learn more about the use of trademarks at an article on The Publishing Law Center web site http://www.publaw.com/article/fair-use-of-trademarks/l. Let's go back to the office building with the fancy lobby. Of course, don't forget the sense of touch -- very important in a romance, even when you aren't writing a love scene. James Bond isn't going to stop in the middle of skiing away from gun-toting spies to ponder the beauty of the Alps. Using them in any part of the story weakens your writing. Want to describe the heroine's living room or bedroom? They have to have an emphatic, solid, believable presence. Think of bad description as being like that teacher who droned on and on and put the class to sleep. Use strong, active, concrete writing words when writing description. The story picked up again in the next installment. People who read a story that's lacking in description might ask "Where does this take place? A story without enough description is missing something. Are your hero and heroine walking through the lobby while having an argument? Let's say you're writing a story set in a modern-day office building. If you're not very accomplished at writing description, then sometimes you might want to avoid writing it. Sometimes people speak softly or walk slowly, or quickly. You can make them figure out what something, or someone, looks like by dropping hints. In these case, the reality is that even the fans know to skim those passages. Right away, those are two very different heroes. But I wasn't set on the description of the setting yet. Most writers tend to concentrate on sight and sound. How did I come up with that line? Yes, I know "adjectivitis" isn't a real word -- but it should be in the dictionary, because so many writers suffer from it.

However, while using trademarks is all right, using too many brand names is over-the-top and annoying. Writing is an account of how people think. There are a few basic rules: 1) get the trademark correct; 2) don't use the trademark in a generic or incorrect sense; and 3) Don't portray the product in disparaging light. He's going to get away from them. Stephen King offers these examples of what not do to: "He ran like a madman, she was as pretty as a summer day, Bob fought like a tiger . Something as simple as "He picked up the invitation with his slender fingers" is more exciting than "She noticed that he had slender fingers." Early in Walter Miller, Jr.'s classic post-apocalpytic novel A Canticle for Leibowitz, a monk realizes for the first time that the pope's cassock is getting threadbare, and that the carpet in the pope's audience room is worn. Still, just because it's in the thesaurus under the entry for "walked," that doesn't mean it's the right word for your story. Unless they're seeking out writers known for lyrical descriptive passages, today's readers wouldn't put up with that sort of thing.
Use specific details. Sometimes you will need adverbs. If you’ve ever been inside a luxurious living or dining room, no doubt you’ve noticed the abundance of nature-oriented details—flowers, plants, even bunches of grapes and pinecones. Do they want to read a ramble about the rain forest? The furniture can include a couch, chairs, tables, lamps, a television, curtains and pictures.

If your heroine has been in that office building dozens of times, she will only give it a passing glance. Avoiding clichés is part of being specific, as we observed above, but it's worth devoting more room to them and their opposites, truly original writing. Do you know how to grab your reader's attention? Unless you're writing chick lit about a brand-obsessed heroine, then don't waste valuable narrative telling the reader about your heroine's designer clothing, designer perfumes, expensive car, and designer pets. Similarly, characters in fantasy and futuristic stories won't look at the setting in the same way we would. Also, a spooky paranormal tale might use description to build up the sense of unease -- for example, you might linger on descriptions of dark hallways in the old mansion and hint that there are ghosts there. On the other hand, description will be a more important part of many slower-paced stories. This technique doesn't work for all writers.

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